demobook

DaVinci Resolve: Easing and Spline adjustments on the Edit page

Demo summary

Shows how to apply 'Ease In' by right-clicking keyframes and how to use the Spline dropdown menu to manually adjust motion curves for more natural movement.

Step-by-step

  1. Right-click on a keyframe in the timeline and select Ease In
  2. Click the Diamond icon on the layer to reveal the keyframe editor
  3. Drag the keyframe points horizontally to adjust the duration of the motion
  4. Click the Curve icon next to the Diamond icon to open the Spline dropdown menu
  5. Select the specific property you want to adjust from the Spline dropdown menu
  6. Select the handles on the graph and drag them to manually smooth out the motion curve

Options

  • Adjust the duration of the animation by dragging keyframes to specific playhead positions
  • Toggle different properties (like X position) within the Spline editor to view their specific graphs

Tips

  • Adjust the motion curve to look more parabolic for a more natural movement
  • Shorten the distance between keyframes to one second if you want the element to 'whip' onto the screen

Highlights

that's going to look something like this a little bit more natural now

All demos from “The 5 Levels of Animation That Every Editor Must Master (DaVinci Resolve)

  1. 0:221:33Basic keyframe animation on the Edit pageDemonstrates how to use the position property diamonds in the Inspector to create a simple slide-on animation for an image in DaVinci Resolve.DaVinci ResolveAI Video Editor
  2. 2:221:38Easing and Spline adjustments on the Edit pageCurrentShows how to apply 'Ease In' by right-clicking keyframes and how to use the Spline dropdown menu to manually adjust motion curves for more natural movement.DaVinci ResolveAI Video Editor
  3. 6:261:15Setting up a Fusion CompositionWalks through dragging a Fusion Composition effect onto the timeline and entering the Fusion page to begin node-based compositing.DaVinci ResolveAI Video Editor
  4. 9:331:44Creating a transparent background node in FusionDemonstrates adding a Background node using the tool menu (Ctrl+Space) and adjusting the Alpha value to zero to create a transparent canvas.DaVinci ResolveAI Video Editor
  5. 11:222:56Merging media in the Fusion pageShows how to drag an image from the Media Pool into Fusion and use a Merge node to connect foreground and background elements.DaVinci ResolveAI Video Editor
  6. 14:212:43Advanced Spline animation and Motion Blur in FusionDemonstrates using the Transform (XF) node and the Fusion Spline editor to create a high-speed entrance with manual curve flattening and motion blur.DaVinci ResolveAI Motion Graphics
  7. 18:216:47Creating a complex bounce animation with multiple nodesA step-by-step walkthrough of layering separate Transform nodes for Y-position, angle, and aspect ratio to create a realistic 'bouncing' shark animation.DaVinci ResolveAI Animation Generator
  8. 25:202:10Creating and saving a Macro in FusionDemonstrates selecting multiple nodes, using the 'Create Macro' tool to group them, and saving the result as a reusable tool for future projects.DaVinci ResolveAI Video Editor
  9. Watch “The 5 Levels of Animation That Every Editor Must Master (DaVinci Resolve)” →

AI Video Editor

  1. 1:521:17Animate and add motion blur in DaVinci ResolveThe creator demonstrates using keyframe buttons to create smooth movement and manually applying directional blur to a character in DaVinci Resolve.finzar
  2. 14:012:39Importing and previewing media in DaVinci ResolveCasey demonstrates how to use the Media Storage panel to hover-scrub and preview footage before dragging clips into the Media Pool to import them into a project.Casey Faris
  3. 16:432:19Organizing media with BinsThe video shows how to create and name Bins in the Media Pool to organize footage into folders, including a demonstration of dragging system folders directly into the bin list.Casey Faris
  4. 26:442:02Syncing external audio with videoCasey demonstrates the 'Auto Sync Audio' feature using waveforms to replace low-quality camera audio with high-quality boom mic recordings.Casey Faris
  5. 33:034:21Basic timeline editing and trimmingA walkthrough of adding clips to the timeline and using the selection tool to trim the start and end points of video segments.Casey Faris
  6. 42:191:11Setting In and Out pointsCasey shows how to use the Source Viewer to set 'In' and 'Out' points (I and O keys) to select specific portions of a clip before adding them to the timeline.Casey Faris
  7. 47:291:05Splitting clips and inserting footageDemonstration of splitting a clip using the Razor tool or keyboard shortcuts to insert a new shot in the middle of an existing sequence.Casey Faris
  8. 58:381:59Using the Trim Edit modeCasey demonstrates the Trim Edit tool to perform ripple trims, slips, and slides, allowing for precise adjustments without leaving gaps in the timeline.Casey Faris
  9. 1:14:582:09Adjusting clip properties in the InspectorCasey uses the Inspector panel to modify video transform properties including zoom, position, and rotation.Casey Faris
  10. 1:20:481:10Applying OpenFX to clipsThe video shows how to drag effects like blurs and stylized filters from the Effects panel onto timeline clips and adjust their parameters.Casey Faris
  11. 1:24:434:35Animating titles with keyframesCasey demonstrates how to create a text title and use keyframe diamonds in the Inspector to animate its position over time.Casey Faris
  12. 1:39:272:40Multicam editing in the Cut PageCasey uses the Sync Bin in the Cut Page to automatically align multiple camera angles by audio and quickly switch between shots.Casey Faris