Cubase 15: Vocal mixing with stock plugins

Demo summary
A detailed walkthrough of a vocal chain using Cubase stock plugins including the Compressor, Tube Emulation, Multi-band Compressor, and Magneto.
Step-by-step
- Apply a Compressor with a 2:1 ratio, ensuring it only kicks in during loud notes.
- Add Tube Emulation and adjust the drive knob between 5 and 10 to add analog grit.
- Use an EQ to perform a low cut and general cleanup.
- Insert a Multi-band Compressor to attenuate harshness in the lower and upper mid-range.
- Apply a second EQ to boost specific frequencies or piano notes related to the song's key.
- Add a De-esser to reduce sibilance in the high frequencies.
- Use Magneto to add saturation and EQ with distortion at specific points like 140 Hz and 1 kHz.
- Finish with a Tube Compressor using aggressive settings but set the Mix knob to 50% for parallel compression.
Options
- Increase Q on the low cut for bass recovery around the filter point
- Switch EQ bands to a high shelf for brightening
- Target specific piano notes instead of frequencies in the EQ
- Adjust Multi-band threshold and ratio for more or less mid-range control
Watch out for
- Avoid having the compressor constantly slammed; it should only trigger on peaks.
Tips
- Use a 2:1 ratio if the vocal was already tracked through a compressor.
- Keep Tube Emulation low (between 5 and 10) for a pleasant distortion without over-processing.
- Target the mid-range with multi-band compression to manage vocal harshness.
- Use Magneto if the vocal feels sterile, thin, or too dry.
- Combine multiple subtle plugin effects to achieve a significant overall difference.
Highlights
“It's subtle, but when you put all these plugins together, it makes a huge difference.”
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9:160:59Sidechain pumping with Steinberg ModulatorsA demonstration of using the new Steinberg Modulators to create a volume shaper effect for a side-chained bass sound.Reid Stefan
11:050:27Syncing loops to project tempoThe video shows how to use the tempo link button in the sample browser to automatically time-stretch a bongo loop to match the project BPM.Reid Stefan
15:210:37Audio Warp QuantizeThe creator demonstrates how to use the Audio Warp Quantize feature to align recorded bongo hits to a specific rhythmic performance.Reid Stefan
25:591:04Vocal comping and clip gainThe video shows the hands-on process of using the Comping Tool to select the best takes from multiple vocal lanes and adjusting clip gain.Reid Stefan
32:080:39Applying crossfades to audio clipsReid demonstrates using keyboard shortcuts (A and X) to apply crossfades to the edges of audio clips and between overlapping segments.Reid Stefan
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38:501:14Pitch shifting for vocal widthThe creator demonstrates the new Pitch Shifter plugin in Cubase 15 to create a wide vocal effect by formant shifting one side of a stereo pair.Reid Stefan
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