Cubase 15: Adding Reverb and De-essing

All demos from “Watch Me Mix In Cubase 15 Pro | Mixing Vocals From Start To Finish”

1. 1:470:57Compressing vocals with Cubase stock compressorThe producer selects and applies a native Cubase compressor to a vocal track, adjusting settings while listening to the playback to tame the vocal dynamics.Cubase 15· AI Audio Editor
2. 2:441:12Applying saturation in CubaseThe user explores Steinberg's distortion and saturation plugins within Cubase 15 Pro to add character and grit to the vocal performance.Cubase 15· AI Audio Editor
3. 3:563:40Multiband compression with Steinberg MotiveThe producer uses the Motive multiband compressor to balance frequencies and place the voice more effectively within the mix.Cubase 15· AI Audio Editor
4. 10:291:25Adding harmonic excitement with Ozone ExciterThe producer applies the Exciter module within Ozone to enhance the high-end presence and character of the vocals.Cubase 15· AI Mastering
5. 11:542:19Setting up Studio Delay in CubaseThe producer adds a Studio Delay as a send effect, adjusting the mix to 100% and testing various presets to create space.Cubase 15· AI Audio Editor
6. 14:502:06Adding Reverb and De-essingCurrentThe user demonstrates applying reverb and a de-esser to the vocal chain to smooth out sibilance and finish the spatial processing.Cubase 15· AI Audio Editor
7. Watch “Watch Me Mix In Cubase 15 Pro | Mixing Vocals From Start To Finish” →

AI Audio Editor

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1. 0:181:34Advanced Clip Gain techniques in CubaseThe presenter demonstrates how to use Shift+Command with the object selection and range selection tools to adjust clip gain from anywhere on an audio event without using the bottom fader.Mixdown Online
2. 2:170:19Adjusting Grid Overlay IntensityThe user navigates to event display settings in Cubase to increase the grid overlay intensity, making the grid visible through audio events for precise editing.Mixdown Online
3. 5:000:39Slip editing audio in CubaseUsing Option+Command, the presenter demonstrates the slip tool to move audio content within an event boundary without moving the event itself.Mixdown Online
4. 6:111:32Snap to Zero Crossing for clean editsThe video demonstrates how activating 'Snap to Zero Crossing' prevents clicking sounds by ensuring cuts occur between audio cycles.Mixdown Online
5. 8:090:44Configuring Group Channel mute behaviorThe presenter shows how to uncheck 'Group Channels Mute Sources' in the VST settings to allow group muting without individually muting the source tracks.Mixdown Online
6. 9:160:59Sidechain pumping with Steinberg ModulatorsA demonstration of using the new Steinberg Modulators to create a volume shaper effect for a side-chained bass sound.Reid Stefan
7. 11:050:27Syncing loops to project tempoThe video shows how to use the tempo link button in the sample browser to automatically time-stretch a bongo loop to match the project BPM.Reid Stefan
8. 15:210:37Audio Warp QuantizeThe creator demonstrates how to use the Audio Warp Quantize feature to align recorded bongo hits to a specific rhythmic performance.Reid Stefan
9. 25:591:04Vocal comping and clip gainThe video shows the hands-on process of using the Comping Tool to select the best takes from multiple vocal lanes and adjusting clip gain.Reid Stefan
10. 32:080:39Applying crossfades to audio clipsReid demonstrates using keyboard shortcuts (A and X) to apply crossfades to the edges of audio clips and between overlapping segments.Reid Stefan
11. 32:595:13Vocal mixing with stock pluginsA detailed walkthrough of a vocal chain using Cubase stock plugins including the Compressor, Tube Emulation, Multi-band Compressor, and Magneto.Reid Stefan
12. 38:501:14Pitch shifting for vocal widthThe creator demonstrates the new Pitch Shifter plugin in Cubase 15 to create a wide vocal effect by formant shifting one side of a stereo pair.Reid Stefan