demobook

Fabfilter Pro-Q 3: Creating a filtered delay effect

Fabfilter Pro-Q 3Try it →Watch full video →Matty Harris | MixAndMasterMySong ·

Demo summary

Matty uses steep low and high-cut filters in Pro-Q3 to isolate a specific frequency range for a parallel slap delay effect on a vocal track.

Step-by-step

  1. Duplicate the vocal track to create a parallel processing chain
  2. Apply a steep low-cut filter to the duplicated track
  3. Apply a steep high-cut filter to isolate a narrow frequency range
  4. Add a delay effect after the EQ
  5. Set the delay times (e.g., 70ms on one side and 190ms on the other)
  6. Adjust the feedback level to taste

Options

  • Use the built-in EQ within the delay plugin instead of a separate Pro-Q 3 instance
  • Select and drag multiple filter points simultaneously to shift the frequency window

Tips

  • Use steep filter slopes to ensure only a small portion of the frequency spectrum is sent to the effects
  • Drag the filter points manually in the interface for a faster workflow than adjusting knobs

Highlights

sometimes I just find it easier to just drag these this way and it's just makes it faster

All demos from “Mastering FabFilter Pro-Q3: Top 5 Techniques for Pro-Level Mixing

  1. 0:161:10Notching out frequencies with FabFilter Pro-Q3Matty demonstrates how to identify and remove 'muddy' frequencies around 500Hz in a vocal track using the notch filter and solo audition mode in Pro-Q3.Fabfilter Pro-Q 3AI Audio Editor
  2. 1:382:38Dynamic scrubbing and multi-band dynamic EQThe creator shows how to use the frequency spectrum to identify peaks, drag down multiple bands, and convert them into dynamic EQ nodes to clean up a vocal without losing its life.Fabfilter Pro-Q 3AI Audio Enhancer & Noise Reduction
  3. 4:570:53Creating a filtered delay effectCurrentMatty uses steep low and high-cut filters in Pro-Q3 to isolate a specific frequency range for a parallel slap delay effect on a vocal track.Fabfilter Pro-Q 3AI Audio Editor
  4. 7:100:48Broad stroke EQ for mix presenceThe demo shows using a wide Q setting to boost the brightness of a sample in real-time, helping it cut through a dense mix.Fabfilter Pro-Q 3AI Audio Editor
  5. 8:322:14Mid-side EQ for width and low-end controlMatty demonstrates how to use Pro-Q3's mid-side mode to remove low-end from the stereo sides of a bass and how to add width to a master by boosting the high-shelf on the side channel.Fabfilter Pro-Q 3AI Audio Editor
  6. Watch “Mastering FabFilter Pro-Q3: Top 5 Techniques for Pro-Level Mixing” →

AI Audio Editor

  1. 1:481:13Testing Saturation Modes in FabFilter Pro-Q4The user demonstrates the new 'Clean', 'Subtle', and 'Warm' saturation modes in FabFilter Pro-Q4 by applying an extreme EQ curve to audio and switching between the algorithms.White Sea Studio
  2. 4:430:42Multi-track EQ Editing in Pro-Q4The demonstrator shows how to view and edit multiple EQ instances (like Bass and Drums) simultaneously within a single FabFilter Pro-Q4 interface using the new track selection feature.White Sea Studio
  3. 6:260:26Pinning Channels and Output MixingThe user demonstrates how to pin specific channels in the multi-track view and adjust output levels directly from the EQ interface.White Sea Studio
  4. 8:081:36Spectral Dynamics and Auto ThresholdThe video shows the new spectral dynamics feature in Pro-Q4, demonstrating how it creates multiple small bands for compression and uses the automatic threshold calculation.White Sea Studio
  5. 10:200:53Adjusting Dynamic EQ Attack and ReleaseThe user explores the advanced section of the dynamic EQ, adjusting the range, attack, and release percentages while observing the effect on the audio signal.White Sea Studio
  6. 11:260:31External Band Side-chainingThe demonstrator shows how to make a dynamic EQ band respond to a different frequency range (side-chaining) within FabFilter Pro-Q4.White Sea Studio
  7. 12:161:05Drawing EQ CurvesThe user demonstrates the new freehand drawing tool to create custom EQ curves by clicking and dragging across the frequency spectrum.White Sea Studio
  8. 0:221:34Host-synced sidechain ducking in Pro-C 3The narrator demonstrates how to use the new Host Sync feature to create rhythmic ducking on a pad sound without an external trigger, adjusting threshold, ratio, and the new curvy Range slider.FabFilter
  9. 2:311:39MIDI triggering and Character saturation modesThe demo shows routing MIDI from a kick drum to trigger compression on a bass part, followed by a walkthrough of the new Tube and Diode saturation flavors in the Character tab.FabFilter
  10. 5:551:06Using Auto Threshold on guitar transientsThe demo shows the new Auto Threshold feature which allows the compressor to catch peaks relative to average levels, demonstrated on a guitar DI signal with Diode character saturation.FabFilter
  11. 7:462:16Multichannel linking and surround sidechain EQThe narrator demonstrates the new multichannel linking knob on an 8-channel drum setup, showing how to link or unlink specific channels and apply sidechain EQ to specific surround speakers.FabFilter
  12. 2:160:55Applying Spectral EQ with FabFilter Pro-Q 4The presenter demonstrates how to use the new spectral mode in Pro-Q 4 to lift the vocal presence while simultaneously taming harsh frequencies, similar to the functionality of Soothe.Streaky