Fabfilter Pro-Q 3: Adjusting Dynamic EQ Attack and Release

All demos from “This changes EVERYTHING! || Fabfilter Pro-Q4”

1. 1:481:13Testing Saturation Modes in FabFilter Pro-Q4The user demonstrates the new 'Clean', 'Subtle', and 'Warm' saturation modes in FabFilter Pro-Q4 by applying an extreme EQ curve to audio and switching between the algorithms.Fabfilter Pro-C 3· AI Audio Editor
2. 4:430:42Multi-track EQ Editing in Pro-Q4The demonstrator shows how to view and edit multiple EQ instances (like Bass and Drums) simultaneously within a single FabFilter Pro-Q4 interface using the new track selection feature.Fabfilter Pro-C 3· AI Audio Editor
3. 6:260:26Pinning Channels and Output MixingThe user demonstrates how to pin specific channels in the multi-track view and adjust output levels directly from the EQ interface.Fabfilter Pro-Q 3· AI Audio Editor
4. 8:081:36Spectral Dynamics and Auto ThresholdThe video shows the new spectral dynamics feature in Pro-Q4, demonstrating how it creates multiple small bands for compression and uses the automatic threshold calculation.Fabfilter Pro-Q 3· AI Audio Editor
5. 10:200:53Adjusting Dynamic EQ Attack and ReleaseCurrentThe user explores the advanced section of the dynamic EQ, adjusting the range, attack, and release percentages while observing the effect on the audio signal.Fabfilter Pro-Q 3· AI Audio Editor
6. 11:260:31External Band Side-chainingThe demonstrator shows how to make a dynamic EQ band respond to a different frequency range (side-chaining) within FabFilter Pro-Q4.Fabfilter Pro-C 3· AI Audio Editor
7. 12:161:05Drawing EQ CurvesThe user demonstrates the new freehand drawing tool to create custom EQ curves by clicking and dragging across the frequency spectrum.Fabfilter Pro-Q 3· AI Audio Editor
8. Watch “This changes EVERYTHING! || Fabfilter Pro-Q4” →

AI Audio Editor

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1. 3:361:26Adjusting Dynamics and Gain ParametersThe narrator demonstrates adjusting threshold, ratio, and gain structure across Pro-DS, Pro-G, and Pro-C 2 instances directly from the list view.FabFilter
2. 5:231:08EQ Polarity and Output BoostThe demonstration shows toggling auto gain, inverting polarity, and using the temporary 6dB output boost button to check channel clarity.FabFilter
3. 6:311:12Editing EQ Nodes and BandsThe narrator shows how to drag EQ nodes, adjust Q values, change filter types, and solo specific bands within the Pro-Q 4 instance view.FabFilter
4. 14:170:59Frequency Collision DetectionThe demo shows setting a bass guitar as a collision reference to identify and fix frequency masking in rhythm guitars using a high-pass filter.FabFilter
5. 2:160:55Applying Spectral EQ with FabFilter Pro-Q 4The presenter demonstrates how to use the new spectral mode in Pro-Q 4 to lift the vocal presence while simultaneously taming harsh frequencies, similar to the functionality of Soothe.Streaky
6. 3:111:21Dynamic EQ and Mid-Side processing in Pro-Q 4The user performs a side-channel cut to mono the bass and applies a dynamic EQ boost to the kick drum so it only triggers when the kick hits.Streaky
7. 5:560:25Taming low-mids with Spectral EQThe user demonstrates applying spectral EQ around 300Hz to manage low-mid resonance and improve the feel of the track.Streaky
8. 2:581:04Testing phase modes in Pro-Q 4The user switches between Zero Latency, Natural Phase, and Linear Phase modes in both FabFilter plugins while phase-inverted to see if any residue appears during playback.MixbusTv
9. 4:162:03Comparing shelf and notch filters in Pro-Q 3 and 4The demonstration continues by applying low shelves at 120Hz, bell filters, and high-frequency notches to both plugins to verify they still null perfectly under different filter types.MixbusTv
10. 0:161:10Notching out frequencies with FabFilter Pro-Q3Matty demonstrates how to identify and remove 'muddy' frequencies around 500Hz in a vocal track using the notch filter and solo audition mode in Pro-Q3.Matty Harris | MixAndMasterMySong
11. 4:570:53Creating a filtered delay effectMatty uses steep low and high-cut filters in Pro-Q3 to isolate a specific frequency range for a parallel slap delay effect on a vocal track.Matty Harris | MixAndMasterMySong
12. 7:100:48Broad stroke EQ for mix presenceThe demo shows using a wide Q setting to boost the brightness of a sample in real-time, helping it cut through a dense mix.Matty Harris | MixAndMasterMySong