Fabfilter Pro-Q 3: Identify boomy frequencies with a high-pass filter

All demos from “Fix Boomy Vocals in 3 Innovative Steps (2025 Edition)”

1. 1:380:23Identify boomy frequencies with a high-pass filterCurrentThe creator demonstrates how to use a high-pass filter on an EQ to sweep through low frequencies and isolate the specific range (100-300 Hz) causing boominess.Fabfilter Pro-Q 3· AI Audio Editor
2. 3:050:33Reduce vocal sustain with Dynamic EQThe narrator demonstrates setting a dynamic EQ with a slow attack to let the initial vocal transient through while attenuating the boomy sustain in the 100-300 Hz range.Fabfilter Pro-Q 3· AI Audio Editor
3. 4:310:21Isolate tonal signals with Eventide SplitEQThe creator demonstrates using Eventide SplitEQ to target and remove specific tonal parts of the signal in the frequency spectrum.Eventide Spliteq· AI Audio Editor
4. Watch “Fix Boomy Vocals in 3 Innovative Steps (2025 Edition)” →

AI Audio Editor

Fabfilter Pro-Q 312Adobe Audition12Reaper12Audacity12Cubase 1512Bandlab12Fl Studio12DaVinci Resolve12RipX12GGarageBand12PPodcastle9Filmora8Izotope Rx7Fabfilter Pro-C 37Clipchamp6Studio One Pro6Landr6Logic Pro5Camtasia Audiate5CapCut4Suno4Mureka4Movavi Video Editor4Auphonic4Moises4ElevenLabs3Soundraw2Sonauto2Ableton Live2Pro Tools2Podsqueeze2JJen Ai2Mubert1Descript1Riverside1DDsp Software1Studio Pro1PProducer.Ai1Valhalla Vintageverb1Mixcraft1ComfyUI1DZine AI1Serato Sample1FlexClip1Easeus Vocal Remover1VLC Media Player1Google Vids1Kapwing1Soundverse1Eventide Spliteq1Boomy1MusicFX1

1. 3:361:26Adjusting Dynamics and Gain ParametersThe narrator demonstrates adjusting threshold, ratio, and gain structure across Pro-DS, Pro-G, and Pro-C 2 instances directly from the list view.FabFilter
2. 5:231:08EQ Polarity and Output BoostThe demonstration shows toggling auto gain, inverting polarity, and using the temporary 6dB output boost button to check channel clarity.FabFilter
3. 6:311:12Editing EQ Nodes and BandsThe narrator shows how to drag EQ nodes, adjust Q values, change filter types, and solo specific bands within the Pro-Q 4 instance view.FabFilter
4. 14:170:59Frequency Collision DetectionThe demo shows setting a bass guitar as a collision reference to identify and fix frequency masking in rhythm guitars using a high-pass filter.FabFilter
5. 2:160:55Applying Spectral EQ with FabFilter Pro-Q 4The presenter demonstrates how to use the new spectral mode in Pro-Q 4 to lift the vocal presence while simultaneously taming harsh frequencies, similar to the functionality of Soothe.Streaky
6. 3:111:21Dynamic EQ and Mid-Side processing in Pro-Q 4The user performs a side-channel cut to mono the bass and applies a dynamic EQ boost to the kick drum so it only triggers when the kick hits.Streaky
7. 5:560:25Taming low-mids with Spectral EQThe user demonstrates applying spectral EQ around 300Hz to manage low-mid resonance and improve the feel of the track.Streaky
8. 2:581:04Testing phase modes in Pro-Q 4The user switches between Zero Latency, Natural Phase, and Linear Phase modes in both FabFilter plugins while phase-inverted to see if any residue appears during playback.MixbusTv
9. 4:162:03Comparing shelf and notch filters in Pro-Q 3 and 4The demonstration continues by applying low shelves at 120Hz, bell filters, and high-frequency notches to both plugins to verify they still null perfectly under different filter types.MixbusTv
10. 0:161:10Notching out frequencies with FabFilter Pro-Q3Matty demonstrates how to identify and remove 'muddy' frequencies around 500Hz in a vocal track using the notch filter and solo audition mode in Pro-Q3.Matty Harris | MixAndMasterMySong
11. 4:570:53Creating a filtered delay effectMatty uses steep low and high-cut filters in Pro-Q3 to isolate a specific frequency range for a parallel slap delay effect on a vocal track.Matty Harris | MixAndMasterMySong
12. 7:100:48Broad stroke EQ for mix presenceThe demo shows using a wide Q setting to boost the brightness of a sample in real-time, helping it cut through a dense mix.Matty Harris | MixAndMasterMySong