demobook

Remove drum bleed with iZotope RX 12 De-bleed

Demo summary

The narrator demonstrates the rebuilt De-bleed plugin on snare and tom tracks, showing how it removes cymbal and kick bleed while preserving the primary drum sound and ghost notes.

Step-by-step

  1. Open the De-bleed plugin on a drum track
  2. Adjust settings while monitoring the removal of kick and cymbal bleed
  3. Verify that ghost notes and sustain remain intact
  4. Bounce, render, or commit the track once tweaks are finished

Options

  • Use on snare tracks to isolate from kick and cymbals
  • Use on tom tracks to fix off-axis bleed
  • Use on overheads to remove specific drum elements

Watch out for

  • High CPU usage (up to 58% for a single instance)
  • Requires bouncing or committing the track to free up system resources after processing

Tips

  • Use this specifically to clean up tracks recorded with mics like the Sennheiser MD 421 that have poor off-axis rejection

Highlights

for the quality you get, I think it's worth doing it

AI Audio Enhancer & Noise Reduction

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  2. 8:241:09Locating plosives in vocal recordingsThe demonstrator identifies low-frequency 'hot spots' in the spectrogram to pinpoint and play back distracting 'P' and 'B' plosive sounds.Mastering․com
  3. 13:211:43Removing plosives with the De-plosive moduleThe narrator uses the frequency-time selection tool to isolate a plosive and renders the De-plosive module to clean the audio.Mastering․com
  4. 15:231:27Comparing multiple processing settingsThe demonstrator shows how to use the 'Compare' history to toggle between original audio and two different De-plosive settings before rendering.Mastering․com
  5. 26:550:58Instant Process mode for rapid editingThe narrator demonstrates the 'Instant Process' feature to automatically apply De-click and Attenuate functions simply by highlighting audio areas.Mastering․com
  6. 35:582:37Real-time spectral editing in a DAW via ARAThe demonstrator uses the RX 12 Spectral Editor plugin inside Studio One to perform non-destructive plosive removal and S-attenuation directly on the timeline.Mastering․com
  7. 44:541:57Removing cymbal bleed from a snare trackA demonstration of the rebuilt De-bleed module using machine learning to isolate a snare drum from heavy cymbal bleed without a sidechain reference.Mastering․com
  8. 55:372:38Batch breath removal with Breath ControlThe narrator applies the Breath Control module to an entire vocal track, adjusting sensitivity to reduce breaths while maintaining a natural sound.Mastering․com
  9. 1:03:081:48Repairing clipped audio with De-clipThe demonstrator uses the De-clip module to reconstruct transients and remove digital distortion from an over-gained vocal recording.Mastering․com
  10. 1:07:401:24Eliminating guitar amp humThe narrator uses the 'Learn' function in the De-hum module to identify and completely remove a consistent buzzing sound from a guitar track.Mastering․com
  11. 7:131:05Remove snare bleed using the De-bleed moduleThe user demonstrates the De-bleed module on a drum track, selecting the 'snare' profile and adjusting the percentage to reduce unwanted bleed from other instruments.White Sea Studio
  12. 2:021:55Remove drum bleed with iZotope RX 12 De-bleedCurrentThe narrator demonstrates the rebuilt De-bleed plugin on snare and tom tracks, showing how it removes cymbal and kick bleed while preserving the primary drum sound and ghost notes.Audio Toolshed