Izotope Rx: Sync RX 11 edits back to Logic Pro

All demos from “How To Use iZotope RX 11 With Logic Pro”

1. 0:510:57Set iZotope RX 11 as Logic Pro's external audio editorThe instructor walks through Logic Pro settings to select iZotope RX 11 as the external sample editor and assigns the 'Shift+W' key command to open files directly in the tool.GGarageBand· AI Audio Editor
2. 2:041:50Edit stereo width using Midside mode in RX 11The user demonstrates opening a stereo guitar track in RX 11, switching to the new Midside view, and applying a gain boost specifically to the side channels to increase stereo spread.Izotope Rx· AI Audio Editor
3. 4:000:32Sync RX 11 edits back to Logic ProCurrentThe narrator shows how to use the 'Overwrite Original File' command in RX 11 to automatically update the audio region within the Logic Pro timeline.Izotope Rx· AI Audio Editor
4. 5:012:08Edit multiple tracks simultaneously with Composite ViewThe instructor demonstrates using Composite View in RX 11 to perform synchronized edits across both mono and stereo guitar tracks while maintaining independent undo histories.Izotope Rx· AI Audio Editor
5. 7:491:26Isolate audio segments for RX editing in Logic ProThe user demonstrates how to convert a specific selection into a new audio file within Logic Pro to avoid opening an entire long recording when sending audio to RX 11.GGarageBand· AI Audio Editor
6. Watch “How To Use iZotope RX 11 With Logic Pro” →

AI Audio Editor

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1. 2:041:50Edit stereo width using Midside mode in RX 11The user demonstrates opening a stereo guitar track in RX 11, switching to the new Midside view, and applying a gain boost specifically to the side channels to increase stereo spread.Sam Loose Audio Engineer
2. 4:000:32Sync RX 11 edits back to Logic ProCurrentThe narrator shows how to use the 'Overwrite Original File' command in RX 11 to automatically update the audio region within the Logic Pro timeline.Sam Loose Audio Engineer
3. 5:012:08Edit multiple tracks simultaneously with Composite ViewThe instructor demonstrates using Composite View in RX 11 to perform synchronized edits across both mono and stereo guitar tracks while maintaining independent undo histories.Sam Loose Audio Engineer
4. 4:250:49Identifying drum transients in the RX 12 SpectrogramThe narrator zooms into a drum recording to show how vertical lines in the spectrogram represent full-frequency transients like kick drum hits.Mastering․com
5. 10:241:18Importing files and toggling view modesA demonstration of dragging a vocal file into RX 12 and using the slider to transition between waveform and spectrogram displays.Mastering․com
6. 21:083:20Using advanced selection and harmonic toolsA walkthrough of the Lasso, Paintbrush, and Magic Wand tools to select specific frequencies and their associated harmonics for processing.Mastering․com
7. 47:240:56Truncating audio with Trim SilenceThe demonstrator uses the Trim Silence module to automatically remove gaps between sound design recordings and tighten the sequence.Mastering․com