Composite multiple layers for depth in DaVinci Resolve

All demos from “This WILL Change EVERYTHING! DIY AI Visual Effects in DaVinci Resolve 21”

1. 2:181:00Generate video elements with Higgsfield Cinema Studio 3.5The creator demonstrates uploading a studio background screenshot into Higgsfield Cinema Studio 3.5 to generate a centipede breaking through a wall using image-to-video prompting.Higgsfield· Image to Video
2. 4:350:28Create a racking focus effect in DaVinci ResolveThe creator demonstrates keyframing a lens blur effect in the DaVinci Resolve color page to shift focus from the foreground subject to the AI-generated background.DaVinci Resolve· AI Video Editor
3. 6:260:23Add animals to a scene using Higgsfield Cinema StudioThe creator shows the process of using Higgsfield Cinema Studio 3.5 to add a cat and a raccoon to a specific area of a couch based on a reference photo.Higgsfield· AI Inpainting
4. 7:210:19Composite multiple layers for depth in DaVinci ResolveCurrentThe video walks through a multi-layer compositing technique in DaVinci Resolve, stacking the AI animal clip, the original couch movement, and a masked subject layer.DaVinci Resolve· AI Video Editor
5. Watch “This WILL Change EVERYTHING! DIY AI Visual Effects in DaVinci Resolve 21” →

AI Video Editor

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1. 1:521:17Animate and add motion blur in DaVinci ResolveThe creator demonstrates using keyframe buttons to create smooth movement and manually applying directional blur to a character in DaVinci Resolve.finzar
2. 14:012:39Importing and previewing media in DaVinci ResolveCasey demonstrates how to use the Media Storage panel to hover-scrub and preview footage before dragging clips into the Media Pool to import them into a project.Casey Faris
3. 16:432:19Organizing media with BinsThe video shows how to create and name Bins in the Media Pool to organize footage into folders, including a demonstration of dragging system folders directly into the bin list.Casey Faris
4. 26:442:02Syncing external audio with videoCasey demonstrates the 'Auto Sync Audio' feature using waveforms to replace low-quality camera audio with high-quality boom mic recordings.Casey Faris
5. 33:034:21Basic timeline editing and trimmingA walkthrough of adding clips to the timeline and using the selection tool to trim the start and end points of video segments.Casey Faris
6. 42:191:11Setting In and Out pointsCasey shows how to use the Source Viewer to set 'In' and 'Out' points (I and O keys) to select specific portions of a clip before adding them to the timeline.Casey Faris
7. 47:291:05Splitting clips and inserting footageDemonstration of splitting a clip using the Razor tool or keyboard shortcuts to insert a new shot in the middle of an existing sequence.Casey Faris
8. 58:381:59Using the Trim Edit modeCasey demonstrates the Trim Edit tool to perform ripple trims, slips, and slides, allowing for precise adjustments without leaving gaps in the timeline.Casey Faris
9. 1:14:582:09Adjusting clip properties in the InspectorCasey uses the Inspector panel to modify video transform properties including zoom, position, and rotation.Casey Faris
10. 1:20:481:10Applying OpenFX to clipsThe video shows how to drag effects like blurs and stylized filters from the Effects panel onto timeline clips and adjust their parameters.Casey Faris
11. 1:24:434:35Animating titles with keyframesCasey demonstrates how to create a text title and use keyframe diamonds in the Inspector to animate its position over time.Casey Faris
12. 1:39:272:40Multicam editing in the Cut PageCasey uses the Sync Bin in the Cut Page to automatically align multiple camera angles by audio and quickly switch between shots.Casey Faris