demobook

Adobe Express: Adding and mixing music in Adobe Podcast

Demo summary

The host selects a track from the music tab, drags it into the timeline, and uses sliders to adjust fade-in, fade-out, and background levels.

Step-by-step

  1. Go to the Music tab
  2. Select a track from the preselected options or upload your own
  3. Drag and drop the music track into the timeline
  4. Position the track by moving it to the desired location
  5. Use the sliders on the right-hand side to adjust fade-in and fade-out
  6. Toggle the 'Set as background' layer option if needed

Options

  • Upload your own music
  • Choose between long and short intro versions of preselected tracks
  • Apply Enhance Audio to the project

All demos from “Adobe Podcast: How to Edit Podcasts Like a Pro

  1. 2:010:39Text-based audio editing in Adobe PodcastThe presenter demonstrates deleting audio by highlighting text in the transcript and hitting the delete button, as well as identifying and removing pauses represented by dots.Adobe ExpressAI Audio Editor
  2. 3:320:40Adding and mixing music in Adobe PodcastCurrentThe host selects a track from the music tab, drags it into the timeline, and uses sliders to adjust fade-in, fade-out, and background levels.Adobe ExpressAI Audio Editor
  3. 4:160:29Leveling multi-speaker audio with AIThe host applies the Enhance Audio feature to a multi-track recording to level the volume between two speakers and improve studio quality.Adobe ExpressAI Audio Enhancer & Noise Reduction
  4. Watch “Adobe Podcast: How to Edit Podcasts Like a Pro” →

AI Audio Editor

  1. 1:35:492:47Automatic audio duckingA demonstration of the Auto-Ducking feature in the Essential Sound panel to automatically lower music volume whenever dialogue is detected.Adobe Video
  2. 48:434:29Audio processing with the Track MixerThe demo shows applying Parametric EQ, Dynamics Processing, and Pitch Shifter effects to an entire audio track.Gavin Herman
  3. 19:090:29Adjusting audio gainThe creator demonstrates using the Audio Gain tool (G) to normalize music levels so they do not overpower the vocal track.Think Media
  4. 23:191:28Applying effects in the Audio Track MixerThe creator demonstrates adding a Hard Limiter and Dynamics compressor to an entire audio track using the Audio Track Mixer window.Think Media
  5. 24:492:35Vocal EQ with Parametric EqualizerA detailed walkthrough of using the Parametric Equalizer to apply high-pass filters and boost specific frequencies for clearer vocals.Think Media
  6. 0:171:45Adjust JKL shuttle speed in Adobe AuditionMike demonstrates how to use JKL keys for playback and how to modify the shuttle speed increments in the 'Playback and Recording' settings to avoid the 'chipmunk' sound during fast editing.Mike Russell
  7. 2:301:08Perform a Ripple Delete in Adobe AuditionMike shows how to select multiple tracks and use Alt/Option+Delete to perform a ripple delete, which removes a section of audio and automatically closes the gap with a crossfade.Mike Russell
  8. 3:591:01Using Spectral Frequency DisplayThe demo illustrates switching to the Spectral Frequency Display (Shift+D) to visualize audio frequencies as a heat map to identify specific sounds like sibilance.Mike Russell
  9. 7:433:07Batch processing and recording FavoritesThe video shows how to record a 'Favorite' action (normalizing audio) and then apply it to a batch of multiple files to convert and rename them simultaneously.Mike Russell
  10. 10:522:15Match Clip Loudness in Multi-trackMike demonstrates the 'Match Clip Loudness' feature to automatically balance the perceived volume of voiceovers and sound effects across different tracks.Mike Russell
  11. 13:081:36Saving and applying effect rack presetsThe creator builds a chain of effects including echo and chorus, saves them as a custom preset, and applies that preset to a different track in the multi-track session.Mike Russell
  12. 14:451:46Automating EQ envelopes in Mixer viewMike demonstrates how to enable the EQ in the Mixer view and use automation envelopes to change low shelf and high shelf gain over time.Mike Russell