Fabfilter Pro-Q 3: Comparing Smooth, TTM, and Op-El styles

Demo summary
A side-by-side demonstration of the Smooth, TTM, and vintage Op-El compression styles on a drum bus to show different sonic textures and distortion levels.
Step-by-step
- Select the Smooth style from the Modern category
- Switch to the TTM (To The Max) style
- Adjust the attack and release settings to taste
- Swap the current setting for the Op-El style from the Vintage category
- Set the ratio to 2:1 for a gentle squash
- Apply the same Op-El settings to the stereo drum bus
- Toggle bypass to compare the processed signal with the original audio
Options
- Use Smooth style for fast compression with less distortion
- Use TTM style for aggressive, maximized compression
- Use Op-El style for soft, pillowy, vintage-style punch
Tips
- Use a 2:1 ratio with the Op-El style for a more tasteful, gentle squash on drums
Highlights
“I can't remember when I last had this much fun with a compressor!”
All demos from “Introduction to FabFilter Pro-C 3”
0:221:34Host-synced sidechain ducking in Pro-C 3The narrator demonstrates how to use the new Host Sync feature to create rhythmic ducking on a pad sound without an external trigger, adjusting threshold, ratio, and the new curvy Range slider.Fabfilter Pro-Q 3· AI Audio Editor
2:311:39MIDI triggering and Character saturation modesThe demo shows routing MIDI from a kick drum to trigger compression on a bass part, followed by a walkthrough of the new Tube and Diode saturation flavors in the Character tab.Fabfilter Pro-Q 3· AI Audio Editor
4:101:20Multiband processing with TTM style and Sidechain EQThe narrator applies the new TTM (To The Max) style to a drum bus and demonstrates the improved sidechain EQ with up to six bands to control frequency-specific compression thresholds.Fabfilter Pro-Q 3· AI Mastering
5:551:06Using Auto Threshold on guitar transientsThe demo shows the new Auto Threshold feature which allows the compressor to catch peaks relative to average levels, demonstrated on a guitar DI signal with Diode character saturation.Fabfilter Pro-Q 3· AI Audio Editor
7:462:16Multichannel linking and surround sidechain EQThe narrator demonstrates the new multichannel linking knob on an 8-channel drum setup, showing how to link or unlink specific channels and apply sidechain EQ to specific surround speakers.Fabfilter Pro-Q 3· AI Audio Editor
10:531:46Comparing Smooth, TTM, and Op-El stylesCurrentA side-by-side demonstration of the Smooth, TTM, and vintage Op-El compression styles on a drum bus to show different sonic textures and distortion levels.Fabfilter Pro-Q 3· AI Mastering
12:392:21Mix bus compression and Mid/Side sidechain EQThe narrator demonstrates transparent glue using Smooth style and vintage character using Vari-Mu on a mix bus, including a technique to unlink stereo compression using a side-channel notch filter.Fabfilter Pro-Q 3· AI Mastering
15:052:41Upward compression for stereo widthThe demo shows how to use the new Upward compression style on a pad sound's side channel to increase stereo width, while explaining the importance of the Range limit and lookahead.Fabfilter Pro-Q 3· AI Mastering- Watch “Introduction to FabFilter Pro-C 3” →
AI Mastering
4:101:20Multiband processing with TTM style and Sidechain EQThe narrator applies the new TTM (To The Max) style to a drum bus and demonstrates the improved sidechain EQ with up to six bands to control frequency-specific compression thresholds.FabFilter
10:531:46Comparing Smooth, TTM, and Op-El stylesCurrentA side-by-side demonstration of the Smooth, TTM, and vintage Op-El compression styles on a drum bus to show different sonic textures and distortion levels.FabFilter
12:392:21Mix bus compression and Mid/Side sidechain EQThe narrator demonstrates transparent glue using Smooth style and vintage character using Vari-Mu on a mix bus, including a technique to unlink stereo compression using a side-channel notch filter.FabFilter
15:052:41Upward compression for stereo widthThe demo shows how to use the new Upward compression style on a pad sound's side channel to increase stereo width, while explaining the importance of the Range limit and lookahead.FabFilter
5:050:51Widening guitars with Dynamic High ShelvesThe presenter applies a dynamic high shelf boost to the side channels at 16kHz to add movement and width to the guitars.Streaky
2:430:53Using EQ Match in the Instance ListThe demo shows how to access the EQ Match feature within the Instance List to match the frequency profile of a rhythm guitar track to a reference track.FabFilter