demobook

Fabfilter Pro-Q 3: Comparing Smooth, TTM, and Op-El styles

Demo summary

A side-by-side demonstration of the Smooth, TTM, and vintage Op-El compression styles on a drum bus to show different sonic textures and distortion levels.

Step-by-step

  1. Select the Smooth style from the Modern category
  2. Switch to the TTM (To The Max) style
  3. Adjust the attack and release settings to taste
  4. Swap the current setting for the Op-El style from the Vintage category
  5. Set the ratio to 2:1 for a gentle squash
  6. Apply the same Op-El settings to the stereo drum bus
  7. Toggle bypass to compare the processed signal with the original audio

Options

  • Use Smooth style for fast compression with less distortion
  • Use TTM style for aggressive, maximized compression
  • Use Op-El style for soft, pillowy, vintage-style punch

Tips

  • Use a 2:1 ratio with the Op-El style for a more tasteful, gentle squash on drums

Highlights

I can't remember when I last had this much fun with a compressor!

All demos from “Introduction to FabFilter Pro-C 3

  1. 0:221:34Host-synced sidechain ducking in Pro-C 3The narrator demonstrates how to use the new Host Sync feature to create rhythmic ducking on a pad sound without an external trigger, adjusting threshold, ratio, and the new curvy Range slider.Fabfilter Pro-Q 3AI Audio Editor
  2. 2:311:39MIDI triggering and Character saturation modesThe demo shows routing MIDI from a kick drum to trigger compression on a bass part, followed by a walkthrough of the new Tube and Diode saturation flavors in the Character tab.Fabfilter Pro-Q 3AI Audio Editor
  3. 4:101:20Multiband processing with TTM style and Sidechain EQThe narrator applies the new TTM (To The Max) style to a drum bus and demonstrates the improved sidechain EQ with up to six bands to control frequency-specific compression thresholds.Fabfilter Pro-Q 3AI Mastering
  4. 5:551:06Using Auto Threshold on guitar transientsThe demo shows the new Auto Threshold feature which allows the compressor to catch peaks relative to average levels, demonstrated on a guitar DI signal with Diode character saturation.Fabfilter Pro-Q 3AI Audio Editor
  5. 7:462:16Multichannel linking and surround sidechain EQThe narrator demonstrates the new multichannel linking knob on an 8-channel drum setup, showing how to link or unlink specific channels and apply sidechain EQ to specific surround speakers.Fabfilter Pro-Q 3AI Audio Editor
  6. 10:531:46Comparing Smooth, TTM, and Op-El stylesCurrentA side-by-side demonstration of the Smooth, TTM, and vintage Op-El compression styles on a drum bus to show different sonic textures and distortion levels.Fabfilter Pro-Q 3AI Mastering
  7. 12:392:21Mix bus compression and Mid/Side sidechain EQThe narrator demonstrates transparent glue using Smooth style and vintage character using Vari-Mu on a mix bus, including a technique to unlink stereo compression using a side-channel notch filter.Fabfilter Pro-Q 3AI Mastering
  8. 15:052:41Upward compression for stereo widthThe demo shows how to use the new Upward compression style on a pad sound's side channel to increase stereo width, while explaining the importance of the Range limit and lookahead.Fabfilter Pro-Q 3AI Mastering
  9. Watch “Introduction to FabFilter Pro-C 3” →

AI Mastering

  1. 4:101:20Multiband processing with TTM style and Sidechain EQThe narrator applies the new TTM (To The Max) style to a drum bus and demonstrates the improved sidechain EQ with up to six bands to control frequency-specific compression thresholds.FabFilter
  2. 10:531:46Comparing Smooth, TTM, and Op-El stylesCurrentA side-by-side demonstration of the Smooth, TTM, and vintage Op-El compression styles on a drum bus to show different sonic textures and distortion levels.FabFilter
  3. 12:392:21Mix bus compression and Mid/Side sidechain EQThe narrator demonstrates transparent glue using Smooth style and vintage character using Vari-Mu on a mix bus, including a technique to unlink stereo compression using a side-channel notch filter.FabFilter
  4. 15:052:41Upward compression for stereo widthThe demo shows how to use the new Upward compression style on a pad sound's side channel to increase stereo width, while explaining the importance of the Range limit and lookahead.FabFilter
  5. 5:050:51Widening guitars with Dynamic High ShelvesThe presenter applies a dynamic high shelf boost to the side channels at 16kHz to add movement and width to the guitars.Streaky
  6. 2:430:53Using EQ Match in the Instance ListThe demo shows how to access the EQ Match feature within the Instance List to match the frequency profile of a rhythm guitar track to a reference track.FabFilter